Whether they’re opening up about matters internal (identity, disassociation, unhealthy coping mechanisms) or external (obsession, deception, gaslighting), Skating Polly
imbue that outpouring with an unfettered emotional truth. On songs like Chaos County Line’s frenetic lead single “Hickey King,” Kelli and Peyton trade off vocals as they share their distinct perspectives on closely related experiences—in this case, the minefield of power dynamics in sex and relationships. “In Peyton’s verse she’s talking about never knowing how far to go or how much of yourself to give to someone, and when my part comes crashing in it’s about guys being possessive and always trying to leave their mark on you,” Kelli says. “To me it’s the most Skating Polly song on the record, because it’s all these different energies happening at once.” Meanwhile, on “I’m Sorry For Always Apologizing,” Skating Polly deliver a bouncy piece of bubblegum-punk in which Kelli calls herself out on certain messy behavior in her past. And on “Double Decker,” Peyton examines her own possibly self-sabotaging patterns, magnifying the song’s mood of confusion with a dizzying guitar solo and breakneck vocal performance. Elsewhere on Chaos County Line, Skating Polly offer up moments of unabashed fun—“Rabbit Food,” for instance, serves up a pure rush of punk delirium spotlighting Kelli’s gift for infusing so much psychodrama into her vocal work.
Over the course of its 18 kaleidoscopic tracks, Chaos County Line embraces the kind of combustible emotionality that comes from fully uncompromised self-expression. “I think on this record Kelli and Peyton were really confident in being more honest and more experimental at the same time, whereas in the past they might’ve made the lyrics more poetic in order to cloak that honesty a bit,” says Kurtis. And as their songs shift from devastating to exhilarating to gloriously cathartic, Skating Polly hope to provide the same sense of solace they found in creating the album. “I’ve had people tell me we’ve helped them get through a breakup or an abusive relationship or the death of someone they loved, and all these other heavy obstacles everyone goes through,” says Kelli. “I feel like I’m not necessarily the best person to draw a map on how to live the happiest life, but I like the idea that our songs can make other people’s lives better in some way. I want our music to be like armor.”
Lord Friday the 13th
and stepmom
will open the show!
Lord Friday the 13th is a dollar store trash-glam-punk band based in Austin, TX. Fronted by siblings Felix (vocals) and Sloane (guitar) Lenz, their sound has been described as the Velvet Underground meets the New York Dolls, with hints of early Iggy and the Stooges. While honoring the origins of punk and the energy it birthed with it, Lord Friday continues the legacy of change and pushing boundaries on societal norms that true punk is known for. Challenging gender roles and conformity, Lord Friday is here to empower and inspire a new kind of punk for a new world.
stepmom is an orchestral dream punk band from Oklahoma City. With dreamy harmonies, ambient cello and synth contrasted with angsty guitar riffs and powerful lead vocals, stepmom represents the feeling of disillusionment among many who are trying to find meaning and purpose in a society that distorts reality.
Doors at 7:30 / Show at 8:00
$15 in Advance / $17 Day of Show
All ages.